pencil on paper, 57 x 85 cm
Friday, October 23, 2009
Wednesday, October 21, 2009
Saturday, October 3, 2009
Create A Wrestling Belt Game
ecotone, from October 3 to December 5, 2009
Ecotone
Inaugural Exhibition Hall Station in southern Builder 109.
Opening scheduled October 2, 2009. Exhibition until December 5, 2009 ---
By settling in the south hall of the Yard 109, Station Exchange of medium to invest a place inhabited his story of life and death.
This new space will open its doors in the fall with an exhibition called Ecotone.
It will consist of a monographic project in the main room and a collective in the manway. These two spaces will be occupied by the idea of establishing a large wild beasts that would, in this place, a kind of revenge of the animals.
The ecotone is the transition area between two adjacent ecological communities, a sort of common ground between wild and domestic. The term comes from the Greek words oikos (house / environment) and tonos (Tone / voltage), therefore a place where ecologies are in tension. Trivially, for example, is the place where the lost hiker is faced with hungry cougar. It is also the transition boundary between two different ecosystems, where the vegetation mix in tension, a space that goes against the simplification of the classification system. This is an area of tension, borders and organic animal colonized so by ubiquitous plant or animal species.
This exhibition will be built around the one hand a proposal in Michael, artist Belgian, 37, draftsman, sculptor, sometimes sarcastic and secondly a group exhibition combining artists from different ages and notoriety, in a large gallery of natural history and stories not so natural. The whole exhibition will be "overseen" by the figure of Joseph Beuys, we will post the opening night's film Helmut Wietze documenting the performance of 1974, I Like America and America Likes Me, confrontation between the artist and coyote.
- a solo exhibition of Michael In. He was born in 1971 in Wallonia, Verviers, he lived here and there, in Verviers long, Amsterdam, Berlin, Brussels and Antwerp today. The drawing in ink, sometimes in large and very large formats, is the heart of his practice, but he also enjoys photography and sculpture. In the tradition of mocking Walloon artists, or Lizène Broodthaers, he plays great irony sometimes childish representations that inspire and to which he twists his neck as if to show the behind, not always very clean.
- A group exhibition with Pascal Bernier, Valere Costes, Geoffrey Cottenceau / Romain Rousset, Noel Dolla, Erik Dietman, Karim Ghelloussi Michel Francis, Lina Jabbour, Lawrence Deunff, Sonia Levy, Ingrid Luche, Zora Mann, Geraldine Pastor-Lloret, Bruno Pelassy, Alexandra Pellissier, Tony Regazzoni, Peter Rösel
- A projection of the performance by Joseph Beuys filmed by Helmut Weitz I Like America and America Likes Me, at the opening
- An installation by Matthew Clainchard, Antimatter / outdoor Avenue Thiers following his residence at Villa Arson in spring 2009
2009-10-03
Wood, opal, neons ...
Ecotone
Inaugural Exhibition Hall Station in southern Builder 109.
Opening scheduled October 2, 2009. Exhibition until December 5, 2009 ---
By settling in the south hall of the Yard 109, Station Exchange of medium to invest a place inhabited his story of life and death.
This new space will open its doors in the fall with an exhibition called Ecotone.
It will consist of a monographic project in the main room and a collective in the manway. These two spaces will be occupied by the idea of establishing a large wild beasts that would, in this place, a kind of revenge of the animals.
The ecotone is the transition area between two adjacent ecological communities, a sort of common ground between wild and domestic. The term comes from the Greek words oikos (house / environment) and tonos (Tone / voltage), therefore a place where ecologies are in tension. Trivially, for example, is the place where the lost hiker is faced with hungry cougar. It is also the transition boundary between two different ecosystems, where the vegetation mix in tension, a space that goes against the simplification of the classification system. This is an area of tension, borders and organic animal colonized so by ubiquitous plant or animal species.
This exhibition will be built around the one hand a proposal in Michael, artist Belgian, 37, draftsman, sculptor, sometimes sarcastic and secondly a group exhibition combining artists from different ages and notoriety, in a large gallery of natural history and stories not so natural. The whole exhibition will be "overseen" by the figure of Joseph Beuys, we will post the opening night's film Helmut Wietze documenting the performance of 1974, I Like America and America Likes Me, confrontation between the artist and coyote.
- a solo exhibition of Michael In. He was born in 1971 in Wallonia, Verviers, he lived here and there, in Verviers long, Amsterdam, Berlin, Brussels and Antwerp today. The drawing in ink, sometimes in large and very large formats, is the heart of his practice, but he also enjoys photography and sculpture. In the tradition of mocking Walloon artists, or Lizène Broodthaers, he plays great irony sometimes childish representations that inspire and to which he twists his neck as if to show the behind, not always very clean.
- A group exhibition with Pascal Bernier, Valere Costes, Geoffrey Cottenceau / Romain Rousset, Noel Dolla, Erik Dietman, Karim Ghelloussi Michel Francis, Lina Jabbour, Lawrence Deunff, Sonia Levy, Ingrid Luche, Zora Mann, Geraldine Pastor-Lloret, Bruno Pelassy, Alexandra Pellissier, Tony Regazzoni, Peter Rösel
- A projection of the performance by Joseph Beuys filmed by Helmut Weitz I Like America and America Likes Me, at the opening
- An installation by Matthew Clainchard, Antimatter / outdoor Avenue Thiers following his residence at Villa Arson in spring 2009
2009-10-03
Wood, opal, neons ...
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