Oruro, Bolivia
Sunday 1st March 2009 5:00 p.m.
Sunday 1st March 2009 5:00 p.m.
The Carnival of Oruro
Masterpiece of the Oral and Intangible Heritage of Humanity
Masterpiece of the Oral and Intangible Heritage of Humanity
To read about this cultural event for me so far unprecedented, so it was intensely colorful, lively and uplifting, I am inspired by the "very" special publication of the scientific journal La Patria in honor of the 2009 edition of the Carnival of Oruro.
diablada The dance of dances is one of the most traditional of all the Carnival of Oruro
Fraternities dancers are formed during the year indoors, among others, trade unions in various trades: to prepare a feast of friendship, loyalty and prosperity, an important tradition and belief still very much alive among workers in Bolivia.
We were all well dressed, with rain-proof water-balloon and the foam cylinder that everyone takes pleasure in throwing, because the Carnival is also the water war. The morning by going to the bleachers he had to run because they were all hidden on the roofs with buckets of water. The first Target: the gringos (foreigners) and even more obviously blond gringa!
Here they are, pitchers of water perched on top. Do you see them on the roof?
The Turkish toilet, which I'll spare you the smell (and for which you pay)! Decidedly, this is the case everywhere in Bolivia, and it seems even worse than it was before.
A saleswoman "focos" the water-balloon who are responsible for much of the festive atmosphere of Carnaval. It is a battle? Twelve to 40 under, okay? Or you choose a cylinder of foam for $ 3?
Meanwhile, the child is sleeping ....
Feeling hungry? Chicharon con mote? Pieces of pork with corn, but one that the North Americans give animals ... Farmers do not have money to buy the modified seeds. And you get used! Even without butter or salt!
No! They opted for a sandwich lomtito. That's what we looked like with our raincoats and our garlands in the neck! Michael, my roommate Australian and Lorraine, Quebec cooperative in Bolivia for two years.
It is probably for these costumes filled with tradition and know-how, for these dances to traditional roots, the music transformed by time, since as far back as 1781, and all this devotion, this magic, the mysticism, that UNESCO gave the title to the Carnival of Oruro in Bolivia, "Masterpiece of Oral and Intangible Heritage of Humanity."
Los diablos that are subordinated to the power of Lucifer and Satan and who personify the seven deadly sins is sloth, pride, gluttony, lust, greed, anger and envy .
The pilgrimage starts outside the city and through the streets, which are installed on each side of the bleachers filled with people. Dancers and musicians parade to make an "entry" majestic (the most energetic dances, more intense music) to the "central plaza.
They then headed high in the city, on the side of a mountain that was once home to a large mine and on which we built the Cathedral del Socavón. The church overlooks both the city and its history mining.
the Diablada: the dance of the devils of Oruro
The diablada originated before the pre-Columbian (before the arrival of Christopher Columbus). It is possible to identify five major periods in its development:
-first, in 1789, is characterized by the need for a spontaneous demonstration.
The second-stage development Carnival dates back to early last century, in 1900, with the legend Nina Nina, alluding to the fire, in the Aymara language, and on behalf of an insect resembling a bee whose venom is deadly. Then the miners decided to dress in costumes of devils in order to worship the Virgin del Socavón. Then
-1940-1980, Carnival has become institutionalized, and that's when Saturday became the day of the great pilgrimage in honor of the Virgen del Socavón. Also during this period that the foundation of Gran Tradicional Autentica Diablada Oruro, which took over all the other dance groups and music.
- Today there are five troops "diablados" participating in the Carnival of Oruro, and all have been founded before 1960. Women's involvement in establishing the carnival tradition is also becoming much more important at this time than when it was created.
The chollitas (indigenous women wearing traditional clothes)!
Here here another important dance, Los Caporales.
This dance dates from 1956 was inspired by Saya, among others danced by blacks who once lived in Oruro, which finds its ideological influence in the concept of power. It has no particular music, if not a happy mixture of saya, and of tunquidis negritos.
They are dancing battles, real struggle to get the blessing of the Virgin, patroness of miners in the region. Several participants in the pilgrimage were, although they are very expensive, two suits. One, on Saturday, the day of the Entry of the pilgrimage, and one for Sunday.
Welcome behind the scenes. To find it took a little "vuelta" in nearby streets, returning to the restaurant. The slides are
The China Diabla: represents obscenity, it has offended the Archangel Michael with its sensual movements.
Los Osos: are responsible for open space necessary to demonstrate the diablada, and also represent beings from invading their territory.
Alba. At daybreak. The state of excitement and enlightenment is at its maximum. Everyone's eyes are very bright, and admired the dancers and musicians at that time completing their procession (because not all the dancers who come to this hour course). It is 7 o'clock in the morning.
Los Naupas devils are older.
My friends Natalie and Ariën.
Inside the church there is an entrance to descend to the mine. At the bottom of the hole is San Simon, Ecko tio of the mina. At the end of several miles, the dancers are in a state of trance, they nonetheless have a radiant smile. The almanecer, the alma, the sunrise, the ultimate pilgrimage, manifested by a gathering of all the musicians in a joint concert in the stands during which the entire audience dancing and having fun.
Other characters are also present in the procession, for example, traditional healers, "doctors" campaign, the so-called "pastors" of the llama, alpacas and vicunas (read "herd owners),
Me and my
The fifth important developmental period of Carnival Oruoro is his statement to the classification of Masterpieces of Humanity in 1959. by UNESCO. Next year it will be 50 years since the Oruro Carnival will be part of the rich oral and intangible heritage of humanity: legend, history, customs, religion, celebration and proudly still jealously protected.